Reading {J}ournal—on Japanese Short Stories—2: Reflect

An autoethnographic look into my previous experience with Japanese literature–Kitchen, Socrates in Love, Norwegian Wood

Warning: Some spoilers ahead (Kitchen—Banana Yoshimoto, Norwegian Wood—Haruki Murakami, Socrates in Love—Kyoichi Katayama)

Analyticality

In my most recent post, I went down a nostalgic memory lane of experiences with Japanese literature, setting up a background for my upcoming Digital Artefact* on Japanese short stories and the culture’s reflection between the lines—the stories are like age rings of a tree, looking at which one can observe the subtle changes in history and culture, especially among the commoners. Now that I have had some time to distance myself from my writing, it is only apt that I practise looking at that narrative with some objectivity, dissecting the emotional with more logic to bring out an autoethnographic aspect. Continue reading “Reading {J}ournal—on Japanese Short Stories—2: Reflect”

Reading {J}ournal—on Japanese Short Stories—1: Rewind

On the memories of the Japanese fiction books I have had my nose stuck in so far and my upcoming autoethnographic journey into Japanese short stories

Here’s to all the memories of the very few Japanese fiction books I have had my nose stuck in so far and my upcoming autoethnographic journey into Japanese short stories.

***

From my love of reading

kitchen
Kitchen book cover (n.d.)

I first picked up a copy of Kitchen by Banana Yoshimoto eight years ago, when I was bored out of my wits at a sleepover at my cousins’. I barely remember the details of that story now—other than that it is a short window into the life of a make-shift family of a young orphan, her friend and his transgender mother—but the afterward melancholic feeling and indescribable thoughts, so alien to a thirteen-year-old back then, still surface so vividly at any sight of the book cover.

Continue reading “Reading {J}ournal—on Japanese Short Stories—1: Rewind”

On ‘Gojira’ (Godzilla) 1954—A Natural Embodiment of a Man-Made Disaster

My takeaways from the 1954 iconic Japanese sci-fi Kaiju film Gojira (Godzilla)

“To say that this Oriental monster is fantastic is to state but half the case. Godzilla, produced in a Japanese studio, is an incredibly awful film … the whole thing is in the cheap cinematic-horror stuff … ” (Crowther 1956).

Continue reading “On ‘Gojira’ (Godzilla) 1954—A Natural Embodiment of a Man-Made Disaster”